Blending

Compositing

Why Your Composites Look Fake (And the Lighting Math That Fixes Them)

The first composite I ever spent serious time on took me 40 hours. Forty. I was trying to place a model into an industrial rooftop scene, and every time I thought it looked right, something was off. The shadows leaned the wrong direction. The skin looked like it was lit by a different sun than the concrete behind it. I kept adding adjustment layers like I was throwing darts in the dark.

July 13, 2026

Compositing

Master Layer Masking: The Foundation of Professional Compositing

Master Layer Masking: The Foundation of Professional Compositing If you want to composite images convincingly, you need to understand layer masks. I’m going to walk you through the techniques I use on every composite project—from simple background replacements to complex multi-layer blends. Why Layer Masks Beat Erasing When I started compositing, I made a common mistake: I’d use the eraser tool to remove unwanted parts of a layer. The problem? That’s destructive.

April 21, 2026

Compositing

Master Layer Masks: The Foundation of Professional Compositing

Master Layer Masks: The Foundation of Professional Compositing If you’re serious about compositing, layer masks are your best friend. I’ve spent years perfecting composite work, and I can tell you that mastery of layer masks separates amateur edits from professional results. Today, I’m walking you through exactly how I use them on every composite project. Why Layer Masks Matter More Than You Think When you’re combining multiple images into one seamless composite, you need control.

March 20, 2026