Photo Manipulation
Why Your Photo Manipulations Look Fake (And the Blending Workflow That Fixes It)
Last year I pulled up an old composite I’d made during my agency days and genuinely cringed. The subject was cut out cleanly, the background was dramatic, the lighting was dramatic. Everything was technically correct. And it looked completely, obviously fake. The problem wasn’t the selection. It wasn’t the masking. It was that I had treated blending as the last 10% of the job when it’s actually closer to 60% of what makes a composite believable.